In January 1989 the first Message to Man International Film Festival took place in Leningrad. This film, made during the festival, is a record of its events, guests and participants, such as the American director Leo Hurwitz, the Latvian director Ivars Seleckis, and the ballerina Natalya Makarova, among others. It also shows the “engine room” of the festival: the work of the main office and the PROKKa professional cinematographers’ club, guests being greeted and seen off. A charity evening with Natalya Makarova, a memorial service to commemorate the victims of the war and excerpts of documentary films presented at the festival are also featured.

This BBC film, written and performed by South African satirist Pieter-Dirk Ulys, is a video postcard to the British Prime Minister from one Mrs Evita Bezuidenhout, South African ambassador to the fictitious black homeland of Bapetikosweti. Relishing his opportunity to satirise both the new and old South Africa, Dirk Uys delivers a lesson in history

A confused teenager discovers a stack of tapes recorded years earlier by her dying mother.

Sylvester Cat has caught and eaten every messenger the Mexican revolutionary mice send to General Gracias. So, Speedy Gonzales is summoned to outwit and outrun Sylvester and reach the General with an important message, which turns out to be a birthday greeting!

Jónas, working in peace and quiet in an isolated summerhouse, hires a young girl, Sandra, to cook for and look after him, and complete an ideal situation for an Icelandic writer on the brink of an international breakthrough. The plan, however, does not turn out the way Jónas intended.

A fiery Cuban woman guides an emissary from the U.S. president through the jungles of war-torn Cuba.

A young man attempts to overcome the memory of his father, who was sent to jail for committing a murder.

Dion, (Selorm Adonu), a young teen, gets beaten up at school. His father, (David Harewood), takes him to the boxing ring to teach him how to fight and defend himself.

Shortly before the WW II, Ella Gericke takes on the identity of her husband Max after his death to work instead of him in the factory. She continues to be Max until she herself doesn’t even know who she is anymore. The story is told from her point of view as an old woman.

Are you man enough to handle these men? Hot man to man action! Experience excessive hardcore!